ASHOKAN

Anand aravindakshan :

Good music is indeed therapeutic, and all ragas, in their own way, soothe the mind. One raga that is proven to reduce high blood-pressure levels, promote mental stability and cure depression is Anandabhairavi. A typically classical raga that thrives on melodic oscillations and majestic glides, Anandabhairavi spreads the feeling of joy and fulfillment.

Charulata mani- dvd vol 2

Expression of form, level of understanding, clarity, use of that understanding to proceed further.

The power of Music. It is indeed amazing to know how powerful Music is! It has the Power to change our Moods. It has the Power to change our emotions. It has the Power to transform!

Inspiration, clarity, goal, direction, orientation.

Levels of concentration and understanding.

How foam on coffee can be used to convey attention and care! By the deliverer, by the preparer! The wonder of white topped muffins, the artistic design in the center, the feeling of love, imagination, relaxation it evokes! The thought process it can create! - are all possibilities.

Heat in the coffee can be used in so many ways.  Heating conveys life force, heating by microwave conveys thorough heating, internally through the core by microwave wave, through electronic heating and not externally through convection heating and cooling so that the heating and cooling is fast and not to the core, retention longer and more deep, gives time to reflect and imagine the effect of the hot coffee internally on various systems and opportunity as it winds it's passage. How it promotes the health and wellbeing of the individual. Presentation and promotion gives an idea of the care and interest of the thought process that goes in the activity depends on the giver and receiver. Only 1% or 2% milk with suitable foaming at the top and it's retention and artistic work or presentation provides the artistic communication and an opportunity in the act of presentation. That evokes trust and wellbeing and a conveyance of satisfaction and untold blessing to the hand and head and feelings of goodness. Cleanliness and clarity has it's own communication value. No drops and circles around the tumbler has it's personal values. One can go on! Details are innumerable. Like the root of the tall tree seeking water, strength and power against air and fire, accommodation in earth and space, while consuming alł that sun has to offer. Pancha Bhutam and symbiosis. Growth and development.

Intensive practice still he was satisfied that he knew it very well, even in his sleep. It became his obsession. His mind was filled with notes and how to play them. Long, slow, involved, What is the sequence, beauty, grace and how music affects a personality. He became an avenue for nadhasana! He thoughts were nadha Brahman!

Play from the heart and not with fingers, he was told. You become the greatest piano player!

Symbol of a flying can be a butterfly playing, whenever he wanted to play, with the heart.

Use of concentrating on grace:

Flow, float, least  resistance but drifting, fluidity, air flow, smoothness, suttle, touching the skin, sensation, emotions, feelings, thoughts, effects, rasa, Gandha, moksha! Leading to softer thoughts, easier ones, therapy! purification!

Expert in excellence, following rules, enforcing rules and it's benefit. The freedom gives mastery, alł the negatives and their influences. Master is much below excellence. smooth, easy entry, clean, not ruffled. Loosing speed, fit, light, tight, fast, using bones and shape in flight.

Butterfly, air,  color, movement, arresting movement, moment, grace, silence, beauty, invoking imagination, poetry, appreciation of nature, purification thoughts, lightness, air, life. Energy! For each job, movement. Pay attention to each one.  Learn, understand, know grace! Pancha bhootam, unity and differentiation. Container and content. You and the enviornment, you and your thoughts, letting go -  imagination, creativity, invention.

Sight, look,  seer, seen, expansion of vision,  dhristi, time, space, memory, event. Dhrasya, Dharana.

Personal training so that you are touching down with a seemingly effortless amount of grace. Because you are awareness is focused on graceful carriage and settling down of the body, mind, and spirit.

Balloon, gymnastics, dance, movement, grace, attention, awareness, beauty.

Music as penetrating everything, therapy, grace, raga feèling, relaxation, idea of extending beyond, control, regulation, balance, feeling, thought.

Role of air, vaguely, energy in systems and a study of its effect: in short pranayama, vasi yogam for a lifetime! Sunlight and energy and heat and cold effect and air circulation. Integration of light, heat, energy and elimination. sharper sight, deeper insight, understanding, integration.

Practice: flexibility, movement, moment, grace, holding the balloon on the head, Shoulders. One leg bent, kick it by the bent leg, learn soft touch, control and movement.

Digestion, transformation, creativity, distribution, disposition, pressure, strength. 7 

solid waste, liquid waste, expenditure through the skin as perspiration.

Prana, Apana, Udana, Samana and Vyana, distribution of major and minor energy changes!  Naga, kurma, krikara, DananJaya, Devadetta. 10 vata prakruthi  interaction, understanding, life force, power, strength and exposition and perspiration! Transport section of body.

Suduko guy, procedure, method, expertise, quickness, no mistakes! 5

Pattern what comes in visibility as pattern and strikes you first. Your exposure, ability to see and penetrate.  The essence is what is the next step, move, moment, control, direction, goal, ability to move once more.! 7!

Be an expert. With least accuracy or precision. Better control and memory! Be better! With best accuracy and precision. and an expert to boot, a genius for ever! understood relaxation, experienced relaxation, slow graceful moment and movement with tremendous control focus on a transformation. Play sudoku guy! Understand transformation!

How you carry your senses and make it your own gracefully, uniquely, add a touch of personality that is uniquely your own! and an understanding to boot!  In young age the voice is more sweet and powerful.

Pain leads to paralysis. Darsana, Sparta, paralysis can be cured by techniques of pancha bhootam.

All afar am is in sabdha sakthi, in sound, in music, swaras.

Charulata mani - isai payanam 2 DVDs - ananda bhairavi - b.p.down 120-80. 

Plesant, happy, contented, santosham thought feeling, relaxed.

Free license  for Mano dharmam.

Anandabhairavi

Anandabhairavi or Ananda Bhairavi is a very old melodious rāgam of Carnatic music. This rāgam has been used even in Indian folk music. Ānandam means happiness and the rāgam brings a happy mood to the listener.Wikipedia

ஆனந்தபைரவி

ஆனந்தபைரவி இராகம் கருநாடக இசையில் பயன்படும் இராகங்களில் ஒன்றாகும். இது 20வது மேளகர்த்தா இராகமாகிய, "வேத" என்றழைக்கப்படும் 4வது சக்கரத்தின் 2வது மேளமாகிய நடபைரவியின் ஜன்னிய இராகம் ஆகும். இந்த இராகம் இந்தியாவின் நாட்டுப்புற பாடல்களில் பிரபலமானது.

பொருளடக்கம்

இலக்கணம் தொகு

ஆரோகணம்: ஸ க2 ரி2 க2 ம1 ப த1 ப நி2 ஸ்

அவரோகணம்: ஸ் நி2 த1 ப ம1 க2 ரி2 ஸ

இந்த இராகத்தில் ஷட்ஜம், சதுஸ்ருதி ரிஷபம் (ரி2), சாதாரண காந்தாரம் (க2), சுத்த மத்திமம் (ம1), பஞ்சமம், சுத்த தைவதம் (த1), கைசிகி நிஷாதம் (நி2) ஆகிய சுரங்கள் வருகின்றன.

இது ஒரு ஸம்பூர்ண இராகம் என்றாலும் ஒரு மேளகர்தா இராகம் ஆகாது, ஏனெனில் இதில் வக்ர ஆரோகணம் உள்ளது.

இது ஒரு பாஷாங்க இராகம். இன்த இராகத்தில் மூன்று அன்னிய சுரங்கள் வருகின்றன. இவை ஆரோகணத்திலும் அவரோகணத்திலும் வரவில்லை, ஆனால் சில பிரயோகங்களில் வருகின்றன.

உருப்படிகள் தொகு

சியாமா சாஸ்திரிகள் இந்த இராகத்தில் நிறைய உருப்படிகள் இயற்றினார். அவர் இந்த இராகத்தை தற்போதய உருவிற்கு எடுத்து வந்ததாக கூறப்படுகிறது.

கிருதி கலைஞர்

மரிவேரே கதி சியாமா சாஸ்திரிகள்

ஓ ஜகதம்பா சியாமா சாஸ்திரிகள்

மானஸ குருகுஹ முத்துசாமி தீட்சிதர்

தியாகராஜ யோக வைபவம் முத்துசாமி தீட்சிதர் (தியாகராஜ சுவாமிகளை போற்றி)

ஸாமகாண ப்ரியே பெரியசாமி தூரன்

ஆனந்தபைரவி இராகத்தில் அமைந்த திரையிசைப் பாடல்கள் தொகு

கொஞ்சநாள் பொறு தலைவா :- ஆசை

போய்வா மகளே :- கர்ணன்

இவற்றையும் பார்க்கவும் தொகு

ஜன்னிய இராகங்களின் பட்டியல் - அகரவரிசைப் பகுப்பு

மேற்கோள்கள் தொகு

வேறொரு மொழியில் படிக்கவும்

Anandabhairavi or Ananda Bhairavi is a very old melodious rāgam of Carnatic music. This rāgam has been used even in Indian folk music. Ānandam means happiness and the rāgam brings a happy mood to the listener.Wikipedia

The peace and happiness brought about by listening to this ragha, the agitation of the mind reflected by the rise in blood pressure is brought down to 120-80, is natural effect of listening to the raga and letting go! Feel happy and peaceful, contented with life and once application with faculties.

The Hindu:

Good music is indeed therapeutic, and all ragas, in their own way, soothe the mind. One raga that is proven to reduce high blood-pressure levels, promote mental stability and cure depression is Anandabhairavi. A typically classical ragathat thrives on melodic oscillations and majestic glides, Anandabhairavi spreads the feeling of joy and fulfillment. 

This raga's progression takes place on a zig-zag path, like a roller-coaster ride in musical notes. It features sadja, sadharana gandhara, chatusruti rishabha, suddha madhyama, pancama, and chatusruti dhaivata in ascent and also accomodates the kaisiki nishada in the descent. This is a raga that, in addition to the above-mentioned notes, features exotic foreign notes including the antara gandhara, suddha dhaivata, and kakali nishada. The net result is that sheer magic is created when this raga is handled - very many hues, many many moods, and wildly mystical musical spaces. The silence between musical phrases sometimes conveys much more to us than the phrases themselves and this aspect in music can be illustrated admirably through Anandabhairavi delineations which evoke Bhakthi, Karuna and Sringara rasas.

Thyagaraja's compositions in this raga include "Neeke Theliyaka" and "Ksheera Sagara Vihara". Dikshitar has composed a "Kamalamba" Navavarana in this raga, in addition to the well-known "Thyagaraja Yoga Vaibhavam". Shyama Sastri's compositions include "Marivere" and "O Jagadamba". This raga is sung in weddings to usher in auspiciousness.

Film music has gained a lot from Anandabhairavi. In "Karnan", in the piece "Poi Vaa Magale" by MSV-Ramamurthy, the lines "Thaai veedenbadhum than veeday" bear the stamp of this raga with its characteristic glide from pancama to the top sadja.

In the film "Aadhi Parasakthi" (music K V Mahadevan) the song "Naan Aatchi Seidhu Varum", sung by P Susheela, features various Devi Kshetras and it is indeed apt since the raga name itself is that of the Supreme Mother. The stage-by-stage progression of notes, first halting in madhyama in "Meenakshi endra peyar enakku" , and pancama in"Visalakshi...", and sadja in "Kamakshi"reflect the raga's lakshana precisely. 

Ilayaraja has used this raga in the film "Sri Raghavendra", the song "Parthale Theriyado Naekku", sung with an expressive twist by the actress Manorama.

The film "Duet" features a brilliant Anandabhairavi in the song "Mettu Podu", in the music of A R Rahman. In the song "Anbendra Mazhaiyile" from "Minsara Kanavu" ARR once again employs this raga, this time to evoke devotion and tranquility. Again in "Nadhiye Nadhiye" from the film "Rhythm", ARR has created a richly orchestrated masterpiece in Anandabhairavi.

Deva in the song "Konja Naal Poru Thalaiva" strikes gold with Anandabhairavi. Replete with gamakas, this song sung by Hariharan is an exemplary creation. Each phrase ends with a characteristic oscillation, for example "..thalaiva.." ends with a flourish in the pancama, while "..varuvaa.." ends with a grand gamaka in the gandhara.

It is challenging to compose commercial film songs in ragas such as Anandabhairavi that are so classical and structured. But those compositions that finally take shape truly stand the test of time.

Keywords: Anandabhairavi, music appreciation, Ragas, A R Rahman, Minsara Kanavu

Flow, glide, take off, smooth, to flow at in air, practice in long, lengthy sentences with little or no air flow but control in the sound. Priya.

In one's voice there is a melodic oscillations and majestic glides. Anandabhairavi spreads the feeling of joy and fulfillment.

Meena : 1576 pass code

To know, experience, to understand its role, effect, function, operation, to be one with to know intimately, to see its strength, effect, power and influence is all a different role of observation.

A steadiness, capacity, apability, strength, ease and familiarity and risk tolerance and ease of movement, grace and boldness comes in forefront.

A feeling of subtleness and balance comes. One's a grip on these is available ease and familiarity breeds in all actions.

6 seconds moonwalk fame saiyad, pragathi. Micheal Jackson.

TVata. Movement as dance step, smooth as air, adding beauty and grace. Movement, moment. It's a great step in speed thinking and innovation, shifting fulcrum, thought and exponential management. Getting better control and balance, finer, internal! 4! 

Use of legs and movement in unique communication. The moon walk fed so many people.

Music can touch the core of personality! To understand the role of transformation and change to acquire the quality of dhanjaya, to transform of poison into nectar, (amrutham ) and make it useful is to reach the sole to make it realize it's potential usefulness. Understand the essence of air and it's potential to give life!  All secrets are in such an understanding.

Knowledge of dance and bhavas - illya raja.- an expression (bhava) and movement (dance) - abhinayam and nrittyam, attitude and behavior, form and structure, outer form, matrix and structure, mouthing and being.

Order, change, transformation, observation, lnterest, insight, greater clarity, understanding!

Levels of perfection, vibration and reverberation spectrum and involved details and levels of meaning and clarity. Sound and resound.

One end and moment and construction of magic square

Understanding from form symmetry to permanent symmetry, grace in movement and moment. It has to be seen, identified, practiced before mirror, experienced do bharata natyam adavus, dexterity of movement and moments form dexterity, bhava, artha, Jana and conveyance is capacity, capability in silence. there are 384 method for pan diagonal magic square turage gathi. ( horse movement) in Every 4 and 2, mentally do it, become an expert in magic square and especially of birthdays. Every birthday is auspicious and belief structure is important initiator.

Agandhail aduvatha aadal kalai? The guiding principle is capacity, capability, expertise. In natya shastra. Implication is one gets self consciousness if one knows the art of dancing - communicating in silence. - a higher form of communication. Where souls meet and exchange!

Where speech is inaudible. intense awareness, attention, better focus, concentration, intuition, understanding, clarity, direction, goal.

Light more than sound.

5 February 2016 first half first. 

Hand and finger movements and facial expression and body has language, coordination, rhytham, movement, moment.

A communication skill in fine arts. Using body and no electricity to communicate no instruments, acupela:

In bharata natyam, flow, fluidity and fixity - dexterity,  subtle areas of attention, awareness, concentration, understanding, clarity and direction of movement, gets an idea of direction, centre and gives one, north, south, east, west, northwest, north east, south west, south east, with respect to you in the centre! flow and movement, fluidity and fixity, skill and communicability. Everything has a value in understanding pattern and matrix. Deeper you look you will find them.

Water connected with lifeCentre is where you think, you are, utcharippu, clarity in pronunciation, communication and purity in thought, action, bhvam, layam, thalam, nalinam, ease of pronunciation  and attitude.  Relaxation as an attitude and feeling.

Sound and its relationship to depth, penetration, projection and the Sven Dasia swaras, flow, smoothness, tonal quality, purity, hold on memory etc. not crossing the basics in veena, the nerve representation and projection of whole personality, leading to quietitude, relaxation  and inner development.

What is Adal kalai?  A philosophical thought? To communicate, express oneself in going deep into the feeling, attitude or bhava, rasa, to explore the limits of communication on simplest manner, in very profound, and subtle economic format, keeping into focus all forms of motion and movement and expression, dominance in silence,  purity and simplicity in communication, deep in memory and attitude, seeing infinity in nothingness, to give a feel. Use of nerves, flesh and movement, to know oneself!

Water connected with life and salt connected with taste, ruchi. Given freely by everyone as charity, less they be deprived of them in life.

Asaivu, isaivu, thalam, bhavam, ragham, kalai, Kalam! It's time, space and movement compressed into stillness including sound, breath and beating of the heart. Not of the lungs! Vibration being felt in all parts of body to varying degrees of clarity and understanding. Silence is at the very subtle background.

31-Value of time

Each of us has such a bank. Its name is TIME.

Every morning, it credits you with 86,400 seconds.

Every night it writes off, as lost, whatever of this you have failed to invest to good purpose.

It carries over no balance. It allows no overdraft.

Each day it opens a new account for you.

Each night it burns the remains of the day.

If you fail to use the day's deposits, the loss is yours.

There is no going back.

There is no drawing against the "tomorrow".

You must live in the present on today's deposits.

Invest it so as to get from it the utmost in health, happiness, and success!

The clock is running.

Make the most of today.

To realize the value of ONE YEAR, ask a student who failed a grade.

To realize the value of ONE MONTH, ask a mother who gave birth to a pre-mature baby.

To realize the value of ONE WEEK, ask the editor of a weekly newspaper.

To realize the value of ONE HOUR, ask the lovers who are waiting to meet.

To realize the value of ONE MINUTE, ask a person who missed the train.

To realize the value of ONE SECOND, ask a person who just avoided an accident.

To realize the value of ONE MILLISECOND, ask the person who won a silver medal in the Olympics.

Treasure every moment that you have! And treasure it more because you shared it with someone special, special enough to spend your time.

And remember that time waits for no one.

Yesterday is history

Tomorrow is mystery

Today is a gift

That's why it's called the present!!

—————————————————————————————————————————–

All sound, is an expression rests on silence, it is in imagination in one hand, it is in correct interpretation and opportunity of getting ready, stability and not surprises in linear thinking vs exponential happening, it is that which is the background, of the focus of sound, and another form is expression. 

You see multiplicity. Multiplicity for ever being present. In simplicity it is said speech is silver, silence is golden, in comparison with metals, values and judgement. PURITY IN THOUGHT AND FLAVOUR. Clarity comes as distraction settles down, and disappear. It 's a point of view! Or understanding levels of clarity you can reach in quietitude.

In harmony one learns rhythm, movement and stillness, quietude, in eye and leg movement, in pointing and relaxation.

The numbers: do or die. 0 and 1. Can the bhava (expression, mamsa and nerves  ( nadi Darshna ) being acted by feeling, thought, action, reaction, the whole personality, asmita, past, present and the future, the depth in memory) be styled after beauty and pride? efficacious, not steady formats!

Flow, fluidity, smooth, rough, finesse, involvement, growth, flowering, passion for music, expression at each word, delivery and concept, attitude, behavior, demeanor, leading to imagination, understanding, clarity, decorum, grace and finesse, contentment, happiness, wellness, santosham.

Though,  I,  madam, am  not required, as I am classified as a sculpturist with stones and hand tools of iron for removing what is not true depiction, as per my thought, concept, I am telling you what I know of bhavas in dance! ( thought, feelings, communication and expression)

Please listen and pay attention and act according to your understanding and levels of clarity!

According to me innocence, dedication, devotion, involvement, surrender and acceptance are the ways to go! Simplicity pervades everything. It's like ahimsa, pervades everything, satya, asteya, brahmacharya, iswara pranidhana in yamas of yoga sutra of patanjali.

5 principles: (mudhu, narai, a lady, 0ld age,

5 thol karuvi, ( skin instruments)

5 thulai karuvi ( pierced instruments)

5 narambu karuvi ( nerve instruments)(asmita)

7 vaai  and asmita ( sa ri ga ma pa da ni sa)  the ego! ( saptha swaras )

Colors, form, constitution, properties at various temperatures and pressures, communication channels where the whole personality, approach and attitude can be used to clearly, boldly, communicate! Bhavas of loving (compassion and growth) (full of feeling of vanchai, love feeling) offering of filled food of the breast to the hungry stomach of the child, nourishment, and looking at hungry stomach of the farmer who fills the rice bowl and every one's else! What a picture it draws in the mind and spirit! Feelings and attitudes, to depict through dance! ( fulfillment and emptiness and doubt and delusion )

Exponential growth: clean disruption. : tony Seba, Salim ismail , exponential growth. syncrocity.

X0, X1, x2, x3, x4, x5, x6, x9, X 10.  ;  1, 3, 9, 27, 81, 243, Fibonacci series;

10 to power of six. = 1 million,  

ten to power of nine, billion, then no more people! X. 

Practice whenever (time), wherever (space) you can, use your mind, whole body, nerves, brain, recall, repeat, memorize! Communicate, accept and surrender, grow beyond yourself: for eg. Meena and Krishna. - sakhi- maitre-faith and devotion.

 "It does not matter how many moves you know, (in chess or sudoku), the only thing that matters is how better you've practiced them (speed and accuracy) and communicate them through the art of movement, motion, steadiness, strength, stillness. Courage and conviction. (So many aspects in movement and stillness). For example Thomas Synder, an us champion in art of sudoku.  for 3 years world champion.

White slam in carrom in less than a minute, world champion.

Their secret better concentration clearer goal and a winning attitude and a unique simplicity and humbleness.

Perfection depends on practice and results on experience, understanding at different levels, simplicity, ease, on excellence and mastery.

 ( the apparent effortlessness due to consistent practice to reach a standard for effortlessness, simplicity, excellence, mastery ). 

Least effort to communicate, courage to communicate and face the situation. Such a dynamic audience is based on creativity. Dance is silent in moments but is  profound in the art of communication and style. Expertise comes much earlier when you know the words, meaning and execute them with feelings. Now the precision and accuracy are focused! Simplicity and mastery are results. You can bend your body, mind and spirit to suit the language of sound. That is yoga in action, communication in style and perfection in spirit as per your thought. It applies to music as welł as to all art forms. Such profound thoughts.

Use of words and feeling, behavior pattern and attitude, personality and asmita! The body language in communication. Clarification in details gives rise to perfection, precision in attitude and approach.

Pancha bhootam is when expression of the elements with the properties and behavior patters but existing in harmony. With one and all with inherent balance and equilibrium. They reveal themselves to those who are knowledgable, dedicated and devoted and letting go! 

They reveal action is dependent on devotion and dedication, submission and withdrawal and a witness like attitude and is time and space bound with memory and forgetfulness and belief structure and lying thrown in a bit!

Command, demand, and a polite request may melt the heart! You know the techniques. Music melts the heart and mind, gives happiness, contentment and everything. Can you raise up to the occasion and perform ?

Approach, attitude, bhava, bhavia  bhavana are important. Feelings, emotions, and attitudes at the time of expression that communicate with true sincerity and simplicity before you open your mouth to communicate at every and any opportunity to communicate your thought and action, others are ready to watch, how and what you communicate. You may silently communicate,  others may pick up in their time, leisure, but you do not fail yourself to do this in your space and time!

Depth, life giving involvement (experience, beauty, sustenence ) how deep a root can go to find the life giving water, air, nerves,  feeling, anubhavam, azhagu, beauty, grace, stamina, strength, prolongation and twist in sangathis, kanñama in the end longing, the reality and continuation as dream, melodious, everlasting in feelings, the flow, the feeling, a thought in action, a pronunciation  of memory, Melancholy, life giving involvement, reflection in layers, even I did not get and I was not sure and afraid that I will not do full justice, the love and involvement you have demonstrated, is unique. Even I did not have! In the way of elongating saying of kannamma with love, affection, dedication and devotion as an offering, binding call.

Take off and landing in a plane, the smoothness, the anticipation, feeling, judgement, being on land, being on air, taking off in air, the feeling, the experience, the bhava and rasa (the feeling and enjoyment)  is unique every time! To get bored is to lose capacity and capability to let go from preoccupation. To get and see the feeling in music as one plays the notes is a unique experience, to play with the feelings of the mind and voice and suttle resounds and it's harsh and flow and sweetness and fineness of the voice. (Speed, urgency, unsteadiness settling into placidness, relaxation.

The difference between mellinam and vallinam, soft voice and thick and long or prolongated voice and emphasis and sustenance to give effective sweetness or whatever mood the artist want to emphasize. The thought and the added mood or involvement. In just the word kannamma, name and a dream. The flow, fluidity, the ease and finesse of movement. The name, the lengthened outpouring and continuation, transformation into dreamy state itself gives a presence, entry into the song.

When a lark/cooko is flying and singing with sweet voice are you drawn to how the voice becomes sweet intermingling with air, delivery, simplicity, effortlessness, ease, smoothness and  flow. There are many data points to learn if you pay attention and be aware. When it sits on a tree does it reveal it's place and coo. Why it tries to communicate? You learn about It's need, habits and capture etc! Love satisfies everything!

Methodology, practice, simplicity of techniques, steps, diversions, unnecessary movements, or repetition details and deliberations.

   Ha..... Ha....just listen. Be a pure rasigan. One who enjoys!  Nature, environment, surrounding, enhance your asmita,  and not criticisms, not a connosier of sound, critical of everything thrown as sound! Accept gracefully and simply withdraw! To seek higher pastures of unknown silence! Beyond sound and disturbance, the silence and beyond? shunya! You have a much greater field that has not been explored with your love and dedication and devotion to master.

An anecdote,

As one was sitting and  listening to the sounds of the temples at dwarakha, sunk in the ocean, sitting at the shores of Sarayu river and listening to the sounds with ears stuck to the sands, one heard do you let go to hear the sound or wait for the sound to overpower your loud thinking? He let go and at last hard the sound peacefully.

Fear is paralytic. It curbs initiative, courage, boldness, love and desire to act.

Allows you to withdraw, run away, put maximum distance between you and the event. It drains you of your energy, strength, enthusiasm, brilliance, capacity to think and memory.

Practice:

 

Flow and sustenance of any swara or any thala consciously, continue with awareness, attention, concentration, understanding of the bhava, rasa, jnana and realize the moksha, vimochanam aspect of it, enhancing oneself in clarity, knowledge comes to you as boldness, courage, commitment and direction!

 How to prolong the breath, increase softness and fineness, use the breath in gaining sweetness, how to thicken and thin the sound. Pitch, intencity's reach? The heat and the feeling of love associated with it.  Is it the container, content, or use. Think and practice daily.

Focus on breathing, duration, sweetness, thinness, softness and go on discovering new nuances. Language is no barrier. Only acceptance and popularity with time and space. Fascinating pre occupation. Sustenence, suspension, discovery, cause of health, purity, grace! To get and feel it as sowkiama! ? Peace, contentment or satisfaction, santosham, a kind of fulfillment feeling.

Acceptance or surrender or understanding the process. Discovering capacity and capability of the seeker, searcher and the search. Sight, seer and the seen. Dhrasta, dhrasya and dhristi. What one is shown, seen, seer, sight may all be different.

From the beaten path of conformity to unbeaten path of freedom or beating new pathways to confirm! The border becomes thin until one day it disappears and you taste freedom or conformity! Purity or grace! Is it free to search, find the borderline or thicken it? Do you have the time, space or health to it! What do you seek?! Unity in diversity, oneness in all! Enslavement or Liberty at all times

You understand: the opposites co-exist and they disappear together! You have balance and equilibrium to example and experience at all times.

Don't let in or let in and hold, do let out and hold - discovered the aspect of life, called it essence of pranayama until you hit the curtain of inability, what is beyond! While life dedicated to it's learning and connecting up, expanding, understanding.

Siddha ragasiyam! Everything is hidden in the open sun!

Each see's a different exhibit and narrates different experiences, seer, seen and sight depending on his development and exclusivity.

Sabdha, artha, gyanana expend as attitude, behavior, experience. This is accentuated when yoga as explained in awareness, attention, concentration and focus is attended to, intuition, understanding, clarity, direction and goal are focused on. It is like breaking down into further finer details, their functions and support and experience.

Voice; experience; both internal and external movement, stirring of nerves, emotion; involvement; depth; passion; expression, outlook, lovable personality, ever smiling, thinking, enjoying,  of enhancing in contentment, feeling the santosham, elevation of the soul, right attitude.

Voice, expression, words, meaning, romanticism, each word and it's individual expression, rumination, duration, time, expression of love, involvement, sincerity, honesty, truthfulness has it's value in the soul of the receptor and his deep sense of memory that it has a lasting power to carry through.

An emotion of love, fully exploited, given life for ever, sung in such a manner that ever lives and feels involved in expression, beauty and grace, who knows the nuances of extending the expression of feeling tones.

The takeoff, landing, smoothness without jerks, the anticipation, the knowledge of state, the pleasure, the feeling of contentment, satisfaction, the mirth, the joy of knowing, discovering the state is unique. Ruminating, enjoying, the sweetness, the fineness, each state in memory is long lasting plesantness,  remembered deep in memory!

Comparison is the basic theme for understanding at different levels with a lot of emotion at each level for better, deeper and finer understanding, different levels  of clarity, depth in memory. Recording and recalling. Divine listening to your voice, heart melting. Concentrating on the highest love, feeling, reciprocating, longing, reflecting, expressing through words.

Paralysis due to flow of air current or interruption in flow of electricity - currents, pranayama or vat   or  paralysis due to lack of flow of current.

Happy women's day !!! 

Happy day!!!

kadhal sadugudu !!!! 

The pleasure, smile, effect, attitude with which you sang the song with courage, affection, assurance and boldness with which you expressed the song, with confidence, sureness, definiteness, assurance and force of energy.

178600.  on 25-6-2016. Kadhal sadugudu:  

 A rockstar like performance, the attitude, the involvement, the confidence, courage, azhutham, strength,  depth, penetration, the feeling and lovable expression, santhosham and konchi, anubhavichu, varthaigaluku merugueti  ( gave power, shine, strength and attitude to the words, gave depth in meaning and feeling, gave a new lease of life to words). 

One part of good music will be a feeling, a new meaning, a sensation that is unique and an expression that is  something which flows from involvement and expression comes feelings and emotions. Isayil oru paghuthi bhavam enakirudhal nan romba anubhavichu asathi iruppen.- Mandy!

 

Samana rasam, mental equilibrium, emotional equilibrium,  surrender and let go! To become one with the one!kapha, pitta, vatha. Sarrva, Rajas, tamas. The triads. Drishti, dhrashya. Darshna!

It's only a women who can give birth and a man can assist and be proud and claim part responsibility and part ownership. Gynecologist and obstritics is a special skill of getting ready, cleansing, purifying one's internals.

The Saptha Dhatus in a human body which are skin, bone, brain, flesh, blood, nerves and semen and shonitha of the female. Without these Saptha Dhathus the human body is incomplete. The whole is recreated. Such details and patience. We cannot imagine a veena without these 7 strings. The nadis Ida and Pingla in the human body is also said to be representing the strings. 

Voice and spirit of tms by raja and his meaning and life - space, voice, and time, feelings. Effect, feeling, thought anand aravindakshan, the cutting to your discovery.  

Music as tone, conjoined as tone, a mixture, grace, a kind of musicality as Guts, feeling a mixture of bhava and rasa, flow and fluidity, a communication from sole to sole, in silence, beyond words. A recognition of nature with all the possibilities and directions.

Kavi perarasu vairamuthu vinazghava Tamil varthaigaluku, artham, bhavam  pothinthvai!

Sabdha, artha, jnana, sweetness as bhava, karpanai, thought process, wellness, health, contentment, dedication, devotion, let go , surrender.

claim part responsibility and part ownership. 

Posted by vijaykarthi.

• 178,600.     - Sa,Ri,Ga,Ma,Pa,Dha,Ni – Saptha swaras in carnatic music and Muladhara, Swadistana, Manipuraka, Anahata, Vishudda, Ajna, Sahasrara – Seven chakras in human body Views on 25-6-2016. Kadhal sadugudu: 

Emphasis on the name kanñamma, the change from short to long form of the pronunciation, the love expression, the involvement, the endurance, the anguish, the azhutham on the word, the effect of communication and expression, the depth and understanding of the word and it's meaning.

Amma is a deeper word than appa, it's like the earth and water to sky. (Pancha bhootam, earth, water, fire, Air,  sky or space) 

255,100 pair of ears enjoyed this rendering. As of 26-6-2016.  In Spb round.

70,000  Kannamma anand on 26-6-2016 views posted by anand aravindakshan, spb.kannamma. Emotion, feeling full, involvement, attitude, understanding, clarity, depth of emotion, confidence gathering, take off so smooth, fluid flow, love and romance, word meaning and feeling, memory and reach!

22,650  manidha manidha 16-6-2016 ; marching, manically, militarily to sound command,  said, 

The tolerant bold, bloodless of the eye! - vairamuthu.

16,500  oru murai, once only 11-6-16.

  Scenic, dedication, involvement, passion, sincerity, honesty, Tamil ghazal, the slowness, the sweetness, a new Tamil zones. Unni krishnan. Srinivasan

Sight, seer, seen song. Look, looker and thing looked at.

19 264  moongil thottam. Flexibility and goodness of the smell. Anand sings; mooligai vasam 8-6-16

Sensitivity, selectivity, fineness, effortlessness, freedom.

Flow, confidence, ease, entertainment, image buildup, technicality, let go, shruthi, awareness, technical readiness, pakkuvam, preparation, sincerity, involvement.

With steadiness increasing you see finer nuances and suddenly your ears become alive and you are able to hear finer tunes and finesse and sensibility and excellence. As though you are transported.

The flow from rithigowda to maya mala Godda. Nishadam, thinking musicians. Knowing the notes and it's natural flow, and lt's mixing. Sensibility, sensitivity, selection and finer appreciation.

Intensive plesantness, involved approach and it's peaceful, relaxed, involved, reaches and places not intended with knowledge of fineness and sweetness. Expansion of thought in all possibilities with its flight of imagination, freedom, and self direction.

The flow of mirth and enthusiasm, inner glow of health, wellness, satisfaction and contentment. Sounds intending thought, feeling and action towards wellness and health.

Insight, dheekshanyam, penetration power in memory, beauty, simplicity, essence, bliss, long view without blinking or effort. Looked at empty space with eye sight of people of the world, the Chinese, Japanese, to European, American, Australian and British. All had round eyes shaped in the end to show from whom they come from and where they are used! All eye balls are round, only their orientation in covering and exposure! May be different.

Saw their reflectivity, reverberations, orientation, rubber and effect.

To feel, to enjoy, to express and share the finest aspect of airflow,

Premkahani, dhadkan, the love, the effective vibration, the perfection in thought, feeling and action, perfection, thought, speed, involvement, expression, sharing, flow of love, imagination, approach, attitude, attention, thought, feeling, action, sweetness, experience, depth,

255,100.   views by anand arvindakshan, spb. Kannama 26-6-2016, Hotstar,  

Moongil thottam 19,180 ( day) 25-6-16 Anand Aravindakshan.

The words depth, feelingful anubhavam, uniqueness, involvement, nervous distribution, For eg. enjoyment, distribution, attitude, the posture, smile, gesture all that matter, come forth as a flower arrangement.

Some examples are-

1. Feeling of heaviness, total Understanding or discomfort - Earth element is dominant. Square is a symbol for earth element. Steadiness, strength and relaxation are  the attitudes associated with earth element.
2. Feeling of oneness, togetherness, floating or flowing feeling - Water element is dominant. Flow, fluidity, smooth movement. Triangle, is the symbol of  water, very strong, powerful number 3, triad, an expression. Connectivity. Everything starts with 3 to have meaning. One of completeness and another of continuity. Upto nine and beyond.
3. Feeling of wanting "boundary condition " to keep moving, keep running away-Air element and carry through the audience  is dominant.
4. Feeling of passion, fired by ambition-Fire element is dominant
5. Feeling expansive and light - Space element is dominant.

To create a balancing effect of these five elements on the body and mind, Yoga, pranayama etc are the techniques generally adopted by men of knowledge, understanding and clarity.

Balancing effect - internel, external, evaporation, condensation, drying

One can research on these and work on their transference. By music and sound. Memory and dreams are powerful means of expression.

Light and vision, distant vision tv, almost everything by light and sound.

Big data: exponential data plots because of more cheap sensors.

Insights. Understanding, clarity, waste, time, regulation, effort! 

Communication: draw boundary condition  and carry the recipient through ruminating every word, thought, feeling, action into his memory. Or knowing the essence of the principle draw better boundary condition go outside or deeper inside

More colorful, memorable, elevating statements and go deeper not memory.

Anything done outside of man's body, mind, spirit, being, asmita, ahamkara is outside and does not affect him a bit.

Bhakti bhava 9 bhavas; Dasia, surrender atmanivedanam. prema, sakhi,

Bhakti bhavas:

Surrender, atmanivedhana, let go attitude, preparing to be nothing. Shunya!

Speèch, camouflage, icing or clarifying element is deep and penetrating not revealing, is controlled by other laws, forces of clarity and understanding is subtle, cann't reveal or say!

How one flows into another strengthening each other is a subtle observation and practice in relaxation and silence!

Inner eye opened and observing,  functioning. Coming to know the working of pancha bhootams. Parsing, separating, detailing. CERN. Smashing and revealing.

Therapeutic Evaluation of the Classical Ragas

Anuradhamahesh. Wordpress.com.

12 mythological origin of the swara. 

Mythological origin of the swara

There is a fascinating mythological tale about the origin of the swaras, as follows:

It is believed that Lord Shiva once addressed a celestial congregation, for the welfare of mankind. While the subject of His address became the Vedas, the differences in His tonal quality became the seven swaras. Shiva is known to have five faces or the 'panchavaktra', which are, Satyojata, Vamaka, Tathpurusha, Isana and Aghora. He first addressed the audience  at the centre, and then the immediate left and right. The centre tone became the basic note or the shadja (sa), while the  ones on the immediate left and right became the 'ni' of the lower octave and 'ri' respectively.  Shiva then addressed the  audience to the far left and right. Here, two notes emanated out of each face, to reach to the farthest sides. So there  emanated the notes 'dha' and 'pa' of the lower octave on the left side and 'ga' and 'ma' on the right. This totalled to  seven swaras, Sa, Re, Ga, Ma, Pa, Dha and Ni.

Mother Nature's contribution to the Indian swara system! 

One interesting fact that the origin of swaras gives us is that they were derived from Mother Nature Herself! The tonal quality of each note is associated with the call of a specific  animal or bird, as listed below:

NAME OF SWARA     NOTATION WRITTEN               NOTATION SOURCE

Shadja                                    S                                         Cry of the peacock

Rishabha                                R                                          Lowing of the bull

Gaandhaara                           G                                         Bleating of a goat

Madhyama                            M                                        Call of the heron

Panchama                              P                                         Call of the cuckoo

Dhaivata                                D                                          Neighing of the horse

Nishaada                               N                                    Trumpeting of the elephant

———————————————————————————————————————————-

Music Therapy

Music Cures Diseases

Music Therapy

Music Cures Diseases

Sa,Ri,Ga,Ma,Pa,Dha,Ni – Saptha swaras in carnatic music and Muladhara, Swadistana, Manipuraka, Anahata, Vishudda, Ajna, Sahasrara – Seven chakras in human body. 

Water: one of the pancha bhootam - temple is water. 

NaIinim- Naina - neer- water - composed by a.r.rahman. (2005) water . Movie.

Sukh winder sing and sadhana sargham. - "neer" -  ni-vas.

Hurry you have a distinction and identity and crystal clarity and feel and freshness. clarity

Leveller - contentment - dissatisfaction reduced - an  accomplishment - satisfied. Calm, peaceful, relaxed, no motivation, smugness Vishnu! Not brahma (creativity) or siva ( leveler) until you find they are all levellers. Relaxed! In their own attitude and approach to their tasks.

You are free to find simplify or thicken the borders. Triads, satva, Rajas, tamas, or kapha, pitta, vata, or flem, bile, airy product.  Movement, moment. Or balance in between, Heart pumps, lugs breathe ( pumps) etc. vibrations.( all are working towards expulsion)

41 years x 365 days = 14,965 days. 15 March 1975, 14,965 days with meenakshi.

42 new year, 1 day. 14,966 days and nights.

14,970 on day 5. March 20 .– April 20th:  2016, 15,000 days. With you Meena! 41 years!

20 years in USA on 16 April 2016.

Form, function, performance, practice and matrix.

Performance, integra x1

Miniaturization. Smart phones. ( making it small and still see the functionlity in it.)

Expression, experience, freedom, involvement, to know, feel, to do!

Rudra veenai 88

To get a calm, relaxed, steady mind is an achievement at any vibration level. Mental tranquility affects every decision.   To induce one is a greater achievement.  To inspire, to observe, a relaxed mind, a detailing sprit, a witness like attitude, an observing personality gives a clear, detailed understanding of the environmental status with changes to come and the direction of it's flow! perhaps, goal and decision, direction.

From sound vibration to nothingness, silence, grace and beauty.

Para, pashyanthi, madhyama, Vaikari. ( 5 of each one)

Rudra veenai 79

Time of the day for optimum effect, enjoyment and experience. Involvement, duration, forgetfulness, gaining in concentration, understanding, clarity, knowledge, direction, goal resetting. Outward all pervasive to inward all inclusive, to everything to nothingness, to shunya to the zero, the circle , all inclusive or all exclusive, from nothing to everything.

Timing of the day and effect to maximum because of clever observation and understanding.

Morning - bhoopalam;  evening- ananda bhairavi, senchoruti - while returning home of the animals and calf, aarabhi raga all soul stirring. Heard for 30 years with no pollution, purity and grace! Use of time,  event better understood in terms of effort, simplicity. fruitful outcome, time of day or night.

Janubhai, in King akbars court tansen.

Water  clouds, fire air by affecting the thirst deepak raag, never dying

Music, tansen, 7 swaras engulfing everything, raga, hamsadhwanai

Rudra veenai 07

Ragham : Senchurutti: effect to still the movement into a place, hold them by sound.

Aarohanam sa re2 ga2 ma pa da2 sa

Avarohanam sa.da2 pa ma1 ga2 re2 sa ni1 da2 sa.

A rhythmic noise, music can still the mind to quietitude from disturbance, agitation, unrest and disease and pain! Music therapy.

Entertainment:

Flow, fluidity, structure, format does matter. Concentration, viscosity, dilution factors does affect absorption, receptivity and feeling tones, audience reaction. To make the tone and liveliness, youthfulness is in the hands of the singer, his thought and his flow. He controls the flow, liveliness and everything. The earlier he realizes this he / she becomes creative, experimental and challenging. ( faridha's eldest daughter special).

A word like sparsh, touch, breath, prana,(10),  feeling, penetration, rose flower with thorns! I understood the why nature provides both together for enjoyment, enchantment.  Melancholy and all kinds of emotions and feelings, thoughts and beyond! Levels of experience as per development, growth, maturity and appreciation, levels of clarity and understanding.

A unique feeling of nerves and penetration, lightness, in Tamil language a feeling expression called "pulanga ki dam." The use of language to express an experience. an acidic feeling in an alkaline atmosphere.

Rudra veenai. : revathi 4 

Raga revathi.

6/6 Ar/AV 

sa re ma pa  ni sa /

ni da pa ma re sa" 

Ha and da notes are not there, involvement in the surroundings and better memory are there.

Listening to sound, relaxation, mind quiet, peaceful, attentive, deep, penetrating, sets the mind, capacity for deeper insight, better understanding, greater clarity than one was confused, indecisive, with all the din and bin and noise. A settled mind and better decisions.

Rudra veenai 05

Ragham sunadavinodhini

Aarohanam sa ga 2 ma 2 dha 2 ni 2 sa.

Avarohanam.  Sa. ni 2 dha 2 ma 2 ga 2 sa

Effect: a mother's fondling mental peace  is felt.

To sing and practice the seven swaras, without mistakes with knowledge of thala, artha,  bhavas and rasas is an experimental understanding of feeling tones, effects, emotions and attitudes, efforts and actions, simplicity and thoughts, concentration and commitment.

Take riding a bicycle. The difference between one who knows and one who does not know is fear!  

One who looks for a long time, thinks, gains confidence, seen a million people riding the bicycle, knows only skill, steady mind, and ability to control the mind, strength, energy, power, an ease and comfort, an ability, an ease of and familiarity, a better comparison of confidence and fearlessness. A bolder attempt, an ability comes forth. His capacity and capability are tested. He gains power over subtle capacity and capability, "lavangam" in Tamil. He understands balance, equilibrium and a lot of applications open up. Depending on his skills capacities and application of principles of the mind.

Matrix 12 to n2. N2+N/2 = 15, 34,  etc.65, 111, 260,

"Magic square".

So also the familiarity and use of pancha bhootams. Air divided into five names as per their functions. Namely Prana, apana, Udana, Samana, vyana and the 5 Upanishad Puranas namely naga, kurma, krikaa, dhananjaya and devadatta.

The accompanying 255,000 views posted by anand aravindakshan, spb.kannamma. 16-6-2016. 

Also 68,504    was posted by anand aravindakshan for kannamma song before spb. Today 12-6-2016. Improvisation added beauty and grace and life fulfilling statements.

178,600  kadal sadugudu kodu. Sa,Ri,Ga,Ma,Pa,Dha,Ni – Saptha swaras in carnatic music and Muladhara, Swadistana, Manipuraka, Anahata, Vishudda, Ajna, Sahasrara – Seven chakras in human body. 26-6-2016.

Upapranas, naga, kurma, krikara, devadatta, dananchaya.

12345, straight, curved, rounded, like a god, like winner of wealth!

You have a soulful voice, very soothing, keep it up.( anand aravindakshan) youthfulness and continuity, jivita, a living.

The one who understands 10, understands the 1 and zero any where! ( computers ), place value, positional significance and value.

Linear and exponential representation in graphic simplicity? Representation.

10 pranks and beyond, 9 holes in man, empty bamboo with 9 holes  - sound produces music, nothing given or taken yet beautiful music, pullankuzhal,

9 Grahas, 8 siddhis, 7 rishis, colors of rainbow, Swara's of sounds; 

Performance, reliability, management, communication. Emphasis on communication.

What is uniqueness? With respect to certain conditions, the position is unique. You will know and be faster about empty space and uniqueness once you know about it!

 Simplicity gives you speed and easy approach and quick results. Your comprehension and conclusions improve. You get to focus on quicker and wider objects, to focus and train your attention on.

Time means many things to many people!

And depending upon that stuff, time will appear to move at different rates from different points of view. 

X factor in business. Salim Ismail. 10 times the exponent. 10x growth!

Rudra veenai 25. Atana.

An understanding of Sound and memory, it's transport, its capacity for communication  rudra veenai 25 Atana. 

Aarohanam 6 sa ri2 ma1 pa ni2 sa. 6

Avarohanam 8 sa ni2 da1 ma pa ma1 ga2 ri2 sa . 

Results: freedom from worldly involvements. (Holdings.)

Joining God.

Accolades:

Awesome, fantastic, divine, courage and depth, listen to you, heart melting, soulful rendering, what an expression, great, source leading, love, smooth take off. 

Open voice, rise above the orchestra and deliver powerfully, clarity and purity and perfection. With Feeling, high above the background of orchestra.

Awareness split into reality and dream. To distinguish between things, to sperate, to know, to be clear, to understand, to see it as background and focus, to intuit to break it into 8. Attention, to delineate, to arrive at form, structure, to find out what it is made up of. Attention leads to awareness leads to concentration and focus. Leads to internalization, clarity, knowledge, understanding and direction.  A quietitude, a Nidhanam, a certainity, a courage, a conviction, a thunivu, a conclusion,

A gap, a pause, spaciousness, an azhutham, a depth, a penetration, a source seeking, goal oriented. A pattern based on ones development and growth.

Curtains : white and not so white; casually, fineness and involvement, nothing more or less but appropriate.

Sustenence, fitting, appropriate, noolpidichpole, sensitivity, selectivity, application. 

Depth, feeling, flows in all it's forms move, movement and moment, appreciating it's stillness and experience it's formation, karma and Karmaphala. Using the mathi, pathi, rashi,  sakthi.

Samudri-ka-lakshanam, by samudra rajan, narambu, Kaatru, Oja's. The contact, the contactless, the brilliance, the luminisance.

Samudra King saw lord Vishnu on the servant adisesha, reposing and drew his posture from memory  as a person with all  lakshanam drawn by samudra rajan. 

9 rasam, the production, the flow, the effect. Ayurveda.

Sound - emotion so- feelings - Jazz in lungi. - darkness, no inhibition - free flow of emotions as sound, dhwani exercise free flow dance and music and movement. Listening to Sound emotions with intensity - a new breed of experience. Anand aravindakshan.

Nizhagal by k.balachander  Tamil director.

Nizhal vilayattu - episode one 

Jathi illadha malli

Pleasant, clarity, confidence, power,  brightness, capacity, capability.

Pancha bhootam acting in coordinating, harmony, support. Tri dosha action in balance, eqilibrium, not fighting each other's influence and extremity, or border! Good blood flow, air flow, water distribution, nervous communication. Heat and cold distribution. Every organ bright to interact with the nature to contribute to gain.

The blood flowing with exuberance and energetic freshness, renewed energy, invigorating attitude renewed it's association with. Nature and every organ it meets afresh, never loses its freshness and energy to meet any task it's called upon to do. the nerves in the flesh communicate instantly as though fresh conduit full of passage, freedom and for ever learning  new communicasion even though for ever being threatened by forgetfulness and lack of memory.

Rudra veena 39.  

Ragham,  ka gray bhushani.

Aarohanam sa ri 3 ga 2 ma 1 pa dha 1 ne 3 sa.

Avarohanam- .sa ni dha pa ma ha. Re sa

Effects: who hears or sings or hears this, in life one who has no clarity or goals will create a feeling of purpose or goal in life.

If there is mental clarity and satisfaction, contentment,  happiness

 draws in! One is rich or poor depends on stations, preparation.

Surrender is more important. An attitude of obedience gives you what you think in life. Time and space devoid of end. Actions and results you foresee.

Understanding, clarity, action and experience come next. Faith and clarity in thinking are very important. Comes with blood flow, understanding and clarity!

Concentration, isight, deep understanding, clarity, direction.

Sent from my iPad. Subramanian Ananth