ASHOKAN

A sequence, a glow, a certainty, to be sure that is the only place for that entity, secure that, change the picture and see the change as positive contribution because of your knowledge' understanding the rules of clarity, direction. You know some rules of sudoku, some knowledge of rules and its application and certainity, direction and goal.

Sudoku: its application are many and varied and diverse. It's as wide or as deep as thought and imagination of the applicator or user envisages.

Speed is one criteria. It's knowledge, understanding and application. As focus goes to different levels application gets refined and rarified, simplified, efficient and sharp and intelligent. Efforts are less and rewards are many fold.

• Voice, life, grace, presentation, everything, good eyes, good wife, an experience, everything is a gift of God to mankind. Love and youth for better experience. To represent on screen, to feel and live a portion of it, in others life, mind, thought, feeling, experience is a gift.The opposites co - exist and give a complete experience and elevate the soul.

Tamilo.com/2015tamilTVShow/SuperSinger/12/Dec14a.html

The experience of the pancha bhutas and life of love comes in the exit of life as the seventh stage. Srinivasan and Rajaganapathy, two of the best exponents.

A sequence, a glow, a certainty, to be sure that is the only place for that entity, secure that, change the picture and see the change as positive contribution because of your knowledge' understanding the rules of clarity, direction. You know some rules of sudoku, some knowledge of rules and its application and certainity, direction and goal.

Sudoku: its application are many and varied and diverse. It's as wide or as deep as thought and imagination of the applicator or user envisages.

Speed is one criteria. It's knowledge, understanding and application. As focus goes to different levels application gets refined and rarified, simplified, efficient and sharp and intelligent. Efforts are less and rewards are many fold.

• Voice, life, grace, presentation, everything, good eyes, good wife, an experience, everything is a gift of God to mankind. Love and youth for better experience. To represent on screen, to feel and live a portion of it, in others life, mind, thought, feeling, experience is a gift.The opposites co - exist and give a complete experience and elevate the soul.

Tamilo.com/2015tamilTVShow/SuperSinger/12/Dec14a.html

The experience of the pancha bhutas and life of love comes in the exit of life as the seventh stage. Srinivasan and Rajaganapathy, two of the best exponents.

Yoga Sutras 1.17-1.18: 
Types of Concentration (Previous Next Main)

Stages: Building upon practice (abhyasa) and non-attachment (vairagya) (1.12-1.16), the meditator systematically moves inward, through four levels or stages of concentration on an object (1.17), and then progresses to the stage of objectless concentration (1.18).

Discrimination: Developing a razor sharp discrimination from such concentration is the purpose of the eight rungs of Yoga (2.26-2.29), and forms the finer tool for introspection (3.4-3.6).

All objects are in one of four stages: Virtually all types, styles, methods, or objects of meditation are included in one of these four stages, levels, or categories (1.17). The specific objects within those four stages are discussed in later sutras. (See also the articles, Five Stages of Meditation and Types Versus Stages of Meditation.)

1. Savitarka/Gross: relates to concentration on any gross object while still accompanied with other activities of the mind, including meditation on sensory awareness, visualized objects, the gross level of breath, attitudes, syllables of mantra, or streams of conscious thought.
2. Savichara/Subtle: relates to subtle objects, after the gross have been left behind; the subtleties of matter, energy, senses, and the mind are, themselves, the objects of meditation, inquiry, and non-attachment.
3. Sananda/Bliss: emphasizes the still subtler state of bliss in meditation. In this state, the concentration is free from the gross and subtle impressions that were at the previous levels.
4. Sasmita/I-ness: focuses on I-ness, which is even subtler, as it relates to the I that is behind, or witness to all of the other experiences.

Objectless concentration: The four stages (above) all have an object to which attention is directed (samprajnata). Beyond these four is objectless concentration (1.18), where all four categories of objects have been released from attention (asamprajnata).

See also the article:

Bindu: Pinnacle of Yoga, Vedanta and Tantra

        top

Yoga Sutras 1.17-1.18: 
Types of Concentration (Previous Next Main)

Stages: Building upon practice (abhyasa) and non-attachment (vairagya) (1.12-1.16), the meditator systematically moves inward, through four levels or stages of concentration on an object (1.17), and then progresses to the stage of objectless concentration (1.18).

Discrimination: Developing a razor sharp discrimination from such concentration is the purpose of the eight rungs of Yoga (2.26-2.29), and forms the finer tool for introspection (3.4-3.6).

All objects are in one of four stages: Virtually all types, styles, methods, or objects of meditation are included in one of these four stages, levels, or categories (1.17). The specific objects within those four stages are discussed in later sutras. (See also the articles, Five Stages of Meditation and Types Versus Stages of Meditation.)

1. Savitarka/Gross: relates to concentration on any gross object while still accompanied with other activities of the mind, including meditation on sensory awareness, visualized objects, the gross level of breath, attitudes, syllables of mantra, or streams of conscious thought.
2. Savichara/Subtle: relates to subtle objects, after the gross have been left behind; the subtleties of matter, energy, senses, and the mind are, themselves, the objects of meditation, inquiry, and non-attachment.
3. Sananda/Bliss: emphasizes the still subtler state of bliss in meditation. In this state, the concentration is free from the gross and subtle impressions that were at the previous levels.
4. Sasmita/I-ness: focuses on I-ness, which is even subtler, as it relates to the I that is behind, or witness to all of the other experiences.

Objectless concentration: The four stages (above) all have an object to which attention is directed (samprajnata). Beyond these four is objectless concentration (1.18), where all four categories of objects have been released from attention (asamprajnata).

See also the article:

Bindu: Pinnacle of Yoga, Vedanta and Tantra

        top

1.17 The deep absorption of attention on an object is of four kinds, 1) gross (vitarka), 2) subtle (vichara), 3) bliss accompanied (ananda), and 4) with I-ness (asmita), and is called samprajnata samadhi.
(vitarka vichara ananda asmita rupa anugamat samprajnatah)

• vitarka = gross thought or reasoning
• vichara = subtle thought 
• ananda = bliss, ecstasy
• asmita = I-ness, individuality
• rupa = appearances, nature, form 
• anugamat = accompanied by, associated with
• samprajnatah = cognitive absorption, lower samadhi

Stages of attention: Attention develops in stages:

1. Attention may wander here and there, whether externally observing through the senses, or internally observing the stuff of the mind. There are seemingly countless objects that can be observed by "me" as the observer (that "me" is actually a false identity, which is systematically being explored so as to uncover the true Self).
2. Concentration (3.1) comes from attention and means that the attention is focused on one object, though the concentration may be interrupted, and is thus temporary. There is still an observer, who is doing the process of observing, and an object that is being observed.
3. Meditation (3.2) is a state of constant attention, wherein the concentrationis not broken by those other distractions. There continues to be an observer observing an observed object. (There is no specific time limit that discriminates between concentration and meditation.)
4. Samadhi (3.3) is absorption, which occurs when the observer, the process of observing, and the observer all three seem to collapse into one, wherein there seems to be only the object in existence.

Think of attention: Since it may be difficult to conceptualize samadhi, it might be useful to think of this sutra and the four stages (below) in terms of attention or concentration. By thinking in terms of attention, it is easier to grasp the practicality of the principles, while the depth of experience can be allowed to come over time.

All objects are in one of four stages: Virtually all types, styles, methods, or objects of meditation are included in one of the four stages or levels described in this sutra. At this point in the Yoga Sutras, specific objects are not being suggested. Rather, the four categories of which any and all possible objects of meditation is being introduced.

1. Savitarka/Gross: relates to concentration on a gross object while still accompanied with other activities of the mind. This includes meditation on worldly objects, the body, sensory awareness, visualized objects, the gross level of breath, attitudes, the syllables of mantra, or streams of conscious thought.
2. Savichara/Subtle: relates to subtle objects, after the gross have been left behind, including the subtleties of matter the subtleties of the ten senses, and the subtleties of mind as objects of meditation, inquiry, and non-attachment.
3. Sananda/Bliss: relates to the still subtler state of bliss in meditation. In this state, the concentration is free from the gross and subtle impressions that were at the previous levels.
4. Sasmita/I-ness: relates to I-ness, which is even subtler, as it relates to the I that is behind, or witness to all of the other experiences.

Related articles: See also the sections from the following articles, which also deal with these stages or levels of concentration (scroll up and down after clicking on the link):

See also these articles 

Types versus Stages of Meditation 

50+ Methods of Meditation 

Five Universal Stages of Meditation 

Meditation on the subtle: It is very important to reflect on the principle of meditation on the subtle elements. Meditation at this stage means that you are dealing with the very building blocks of all of the objects on which you might meditate in their gross form. You are focusing not only with objects normally seen to be external (the things of the world stored as memories in the mind), but also the very instruments (such as senses and mind) by which those objects are experienced. In this way it becomes increasingly possible to attain non-attachment to the whole realm of gross matter, along with their subtle counterparts and the mind itself.

Like driving through cities on a highway: When you are driving your car in a rural area it may seem quiet and peaceful. As you approach a city, there is an ever increasing activity, with more and more people. In the heart of the city, it is thriving with sights and sounds, people and objects of this or that kind. When you pass through the center of the city the process reverses, as the activity seems to gradually recede behind you, as you move through the city. On your journey down the highway, towards your destination, you approach cities, experience them, and drive through them.

The inner journey is like that too, as you approach a level of inner activity, experience it, and then move through to the next. The goal is realization, direct experience of the absolute reality, the objectless center of consciousness, whose nature is of peace, happiness, and bliss, though truly indescribable. On that journey inward, few are able to go directly to that realization, and must move into, experience, and then transcend the levels of inner reality or mind, that are along the way. This is the process being described in this sutra.

Whole process is in 18 sutras: Sutras 1.17 and 1.18 describe the process of samadhi, the higher tool of meditation. Thus, the whole process of Yoga is summarized in the first 18 sutras. The remaining sutras give more expanded explanations, including the process of stabilizing the mind (1.33-1.39), more specific ways to attain samadhi (2.26-2.29), and how to then use samadhi as the finer tool (3.4-3.6) for Self-realization.

Simplicity, like a ball point pen: Yoga Sutras has a beautiful simplicity to it, including these four stages of sutra 1.17. Attention can absorb in gross objects or subtle objects. Like clicking on a ball point pen, one can come outward, like the little container of ink. When attention is outward, the subtler levels are still there, underneath or interior, doing their work to provide consciousness itself with experience of the gross. With another click, the pen part retracts back into the body of the pen. When attention retracts from the gross, there is no gross experienced. Then, the subtle is experienced. When attention retracts again, that subtle experience falls away. Then, there is the experience of joy or bliss, as none of the activity, distractions, attractions or aversions (whether gross or subtle) are experienced. Yet, there is still an I-ness doing something called experiencing. There is an experiencer experiencing an "other." With one more click of the pen, attention retracts past even that bliss, so that all there is, is the I-ness itself. Consciousness is still operating through that individuation, but that's another story. Beautifully simple. Not scholarly, but practical. Oral tradition says that the "study" of Yoga Sutras is oral, not only textual. The simplicity of the outline of the Yoga Sutras necessitates elucidation, whether in written or, preferably, oral form. For some, this brevity in the Yoga Sutras is a sign of being incomplete. For others, it is a sign of being succinct. For the latter, the Yoga Sutras is a breath of fresh air in the midst of tomes of debate.

        top

1.18 The other kind of samadhi is asamprajnata samadhi, and has no object in which attention is absorbed, wherein only latent impressions remain; attainment of this state is preceded by the constant practice of allowing all of the gross and subtle fluctuations of mind to recede back into the field from which they arose.
(virama pratyaya abhyasa purvah samskara shesha anyah)

• virama = cessation, stopping, receding
• pratyaya = cause, cognitive principle, content of mind, cognition
• abhyasa = practice
• purvah = preceding, coming before
• samskara = deep impressions, imprints in the unconscious, deepest habits, subliminal activators, traces
• shesha = residual, subliminal
• anyah = the other (the other samadhi)

Object and objectless: The four stages of concentration described in the previous sutra (1.17) were all concentration with object, which is called samprajnata samadhi. In the current sutra, concentration without any object is being described, and this is called asamprajnata samadhi. In this state not only the gross and subtle thoughts, but also the senses and thinking instruments of mind are in a latent state. It is a very high state of knowing, and is of the kind that is often described as not describable in words.

Samskaras are in latent form: Samskaras are the deep impressions that are the driving force behind karma (actions). In objectless samadhi, all of the samskaras are in their latent form, although you are fully conscious. This means they are not active in the dreaming, unconscious level of mind, nor in the active, conscious level of mind. By reflecting on the nature of the objectless samadhi, it is somewhat easy to see why the foundation of practice and non-attachment (1.12-1.16) is so important in relation to uncoloring those deep impressions (1.5, 2.1-2.9, 2.10-2.11). (See also the article: 
Karma and the sources of Actions, Speech, and Thoughts)

Intentionality of letting go: There is a paradox in the practices leading to objectless concentration. In letting go of all of the impressions, even the intentionality is surrendered. However, to do that, there first needs to be will power to do the letting go of the other deep impressions. By being aware of this paradoxical balancing act, it is easier to gently practice the intentionality of letting go, without either suppressing impressions or overly exerting the will power. Then, seemingly in a moment, the letting go can come. Although the objectless samadhi is a deep state, this gentle balance of intentionality and letting go can be practiced at the earlier stages of meditation as well. Then, when the time comes to do so at the deeper levels, it is a familiar thing to do.

This is not just quietness: It is important to understand that the objectlessness being addressed here is far deeper than simply quieting the noisy conscious mind as in beginning meditation. Allowing that noisy mind to gradually still itself is an important step, however, it is only a stepping stone to opening the veil to the unconscious. Then the many impressions that are normally not seen are allowed to come forward, along with awareness of the sensing and thinking instruments, the subtle energies, and the subtle building blocks of mind and matter. All of these, not only the surface level thoughts, are the subject of objectlessness.

See also the article:

Bindu: Pinnacle of Yoga, Vedanta and Tantra

The next sutra is 1.19 

Home   Top